Confessional Perspectives vs. Laic/Non-Confessional Historiography
In debates about Buddhism—especially when discussing practice and the spiritual value of the Buddha’s message—it is common to encounter claims that the doctrine’s historical development has altered its “original” message. Such judgments typically imply two things: on the one hand, they presuppose the existence of an immutable origin against which change can be measured; on the other, they often carry a value judgment that denounces the present as corrupted or decayed compared with an alleged primordial purity. This is an ancient religious topos that connects an original message to the degeneration of later times. This reading is problematic and, from both historical and philosophical standpoints, should be approached with caution. Continua a leggere “Studying Buddhism”
The literary and movie genre known as “swashbuckler” (in Italian we call it “cappa e spada”), never goes out of fashion. Salient features of the genre are undoubtedly the presence of heroes who act inspired by chivalric values, coming to the aid of the weak, the historical setting, mostly medieval times, and the essential element of sword fighting and generally emphasizing the warrior characteristics of the protagonist. As I have mentioned other times in these articles, this is genre literature (and cinema). Genre literature is specially created with recurring elements that characterize it and contribute to its specific language and atmosphere. Traditionally, it is considered “popular” literature in the sense that it does not have great artistic pretensions, but aims more at entertainment. Several times I have challenged this definition, since genre literature has often produced masterpieces. The same argument applies to cinema. It is good to know that the “swashbuckler” genre also has its counterpart in the Asian sphere, particularly in Chinese lands: the wǔxiá (
Introduction. The second part of the 20th century, from the post-World War II period onward, has seen a gradual expansion of international mobility. As a result of the process of economic and socio-cultural integration that since the 1990s we have begun to define more precisely as globalization, the world has become increasingly smaller. The Schengen Treaty and low-cost flights, moreover, have made Europe a unique space in terms of tourism as well. Even my generation, which experienced childhood in the 1980s, can hardly remember a Europe of borders and passports. However, despite the shrinking of the world, the fascination of distant lands remains. Mass tourism has only confirmed, according to fashions and times, the attraction for those lands that intrigue, attract, seem exotic. It should always be kept in mind, however, that the category of “exoticism” is determined by point of view, and that here we start from the European worldview. 
Davide Donadio 